News

Out Now! on Bandcamp
Bratsch - A village sets a precedent

This is the soundtrack for a documentary about an alternative school in a Swiss mountain village. Director Norbert Wiedmer and his team followed 6 years of the school’s development, from its re-opening to the departure of the first students until their entering their future professions respectively secondary schools. 

The students of the school recorded all of the samples I used for this soundtrack. Thanks to all of them for their collaboration! 

This soundtrack is now available on Bandcamp.
Sound of Mind 
my second solo recording is now available on Bandcamp.
reaLTime 
the first time I recorded a solo album, using a custom made live looping setup. Now available on Bandcamp. 


Klaus Gesing’s Heartluggage re-released

KG_Heartluggage

Heartluggage 

has been re-released on Bandcamp! 
It is truly a fantastic band of musicians that brought my compositions to life on this recording.
Gwilym Simcock - piano
Yuri Gloubev - double bass
Asaf Sirkis - drums

Songs and Sounds

Upcoming concerts...

"Tides"
has entered the Semifinals of the International Songwriting Competition.

Quite a new song of mine, with lyrics by Ana Pilat has made it into the Semifinals of the International Songwriting Competition.
Thousands of entries from all over the world raise the bar to enter this pre-selection.
What a nice piece of news… click on the link in the picture below, to see the comprehensive list of semifinalists. - 
Cheers!

"Tides" has arrived at the ISC Semifinals

My uptempo, odd-metre composition "Tides", with a floating melody and beautiful lyrics by Ana Pilat, has arrived at the Semi-Finals of the International Songwriting competition. That's a very nice piece of news. Let's keep fingers crossed for the next round....

more...
ISC - International Songwriting Competition


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To openly say that the genocide of the Palestinian people has to stop is sometimes rewarded with cynical allusions hinting to the genocide of Europe’s Jewish population during World War II.
As a German musician, as a profound believer in the Charter of Human Rights, as a person that has read about, heard about - from first hand narrations by fathers and grandfathers -, and fully understood the inhumane horrors that the German people, in their blind madness, have brought to the Jewish population of Europe, I say the following:
It is possible to be acutely aware of the endless pain and suffering the German people inflicted on the European Jews during the fascist regime - and it is possible to condemn the endless pain and suffering that are now, in this moment of our history, inflicted on the Palestinian people.  
When reading about, and discussing the history of the Jewish genocide committed by the Germans  I often ask myself: how was it possible that so many German people were blinded by the propaganda, were silenced by the regime of fear meticulously installed by the German government? 
The circumstance that I have, by pure chance, been born in Germany, and that this circumstance comports  a certain degree of identification with the place of my birth, its language, culture and its history does not free me from the obligation to learn from history and to continue to believe in the articles laid out in the Charter of Human Rights - it also does not free me from the obligation to speak out when I see that these human rights are currently violated against - independantly of history, religion or nationality.

I would like to share this statement by a dear colleague, oud player Anouar Brahem, that he has recently posted on Instagram and Facebook. 

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all page background photographs by Paolo Galletta